Dreams and Glassdrops

One of the most important things that feeds my creative projects is my dreams.  All that subliminal and weird imagery, fragmented and visceral and emotional and straaaange.  I keep a dream journal and update it regularly using drawings, diagrams and words to depict them.  I find it is a good way to keep a conscious link to that part of my brain so that I can tap into all that weird stuff.

Yesterday, I discovered the team at Editude Pictures as they presented their work at the ArtConnect Berlin breakfast.  A Berlin based film production crew, they presented the music video they did for Robot Koch’s Glassdrops.  I just love it.  It’s a dark and fragmented narrative set in the woods that really hits that dream space in your mind.  The music is very surreal and haunting.  I’m always drawn to work that speaks directly to that non-verbal, more emotional, more visual part of your brain so I had to share this here.  Turn the base up and enjoy.

Robot Koch – Glassdrops (Official Music Video) from editude pictures on Vimeo.

Going Deep: Guillaume Nery and Creativity

This video of Guillaume Nery base jumping in Dean’s Blue Hole has me completely entranced, so much so that it has pervaded my dreams the last few nights.

Nery is a competitive free-diver:  someone who specializes in underwater diving without the use of breathing equipment.   Free-divers compete on how deep they can dive and/ or how long they can hold their breath for.  The video is an artistic representation of the free-fall experience shot entirely on breath-hold.  Dean’s Blue Hole is the deepest known blue hole in the world.

What occured to me after waking up from yet another free-dive inspired dream is how this video and sport relates to my experience of creativity, what I’m trying to do and what a lot of other artists, innovators and free-thinkers try to do.  I say ‘try’ because just like in free-diving there is always only trying to go further and there is always further to go.  That’s part the excitement of it.

The other part is the actual experience of being in the free-fall state, or for artists: the creative state.  Once you get down further into your own creativity it can start to feel a lot like free-falling.  There’s a lot of uncertainty and fear that you may have gone too far or might get lost but at the same time it’s the going deep that is the most exhilarating.

Screenprinting Workshop & Happy Accidents

As part of my career development grant I decided to enhance my skill set by completing a screenprinting workshop. Several of my projects lend themselves to the screenprinting process and I wanted to see what was possible.

I chose to do the screenprinting workshop at Mother Drucker print studio in Kreuzberg. In November I had a print of Mette with Phone created there and had found Dolly to be very knowledgable and relaxed. The list of artists she has printed for is quite impressive and there is a nice collection of their work on the Mother Drucker website.

Day one of the workshop gave me a new appreciation of the screenprinting process. I never knew how much time was involved with creating the screen and the image to go on it. The silk screen is covered in a light sensitive liquid that is left to dry in the dark and then the image (usually printed onto oiled paper or acetate) is exposed using uv lights. The light hardens the emulsion where there is no image and immediately afterwards you rinse out the remaining emulsion – the ink will go through the washed out places and you’ll have your image.

I chose to print from photographs so I learned how to separate my image files in Photoshop into different colour channels. In a four colour print each colour is printed separately using the basics of black, magenta, yellow and cyan (CMYK) and once all printed the colours merge to give an image that looks like the original. Screens can’t pick up tonal graduations so all tones have to be turned to black. To give the illusion of tone Dolly showed us how to create a halftone or Bitmap version where tone becomes represented by a series of black dots in various sizes and spacing. Much like how you see all the dots in a black and white newspaper if you look really closely.

Ink, or paint, is pulled through the screen onto the paper building up layers from lightest to darkest until you have the completed print.

The printing table where ink is pulled over the screen, creating the print.

Ink, lots of ink.

Couldn’t resist capturing this portrait of Dolly as she helps another student with some difficult cutting work.

Preparatory prints laid out on the light table ready for the screen to be exposed.

The screen is exposed using UV lights. A vacuum system holds the screen against the images tightly and keeps it from moving during the process.

Happy Accidents

Dolly would call it a ‘Happy Accident’ when something didn’t quite go as planned or you were just doing a rough print to pull some leftover ink through and you ended up with a surprisingly lovely and interesting artwork. My favourite piece from the workshop was a two colour print where I didn’t pull the ink across hard enough leaving the lower colour showing through in some areas.  It’s a photograph of my friend, muse and fellow artist Ed Edgar doing that thing with his eye that only he can do.

I love happy accidents. I always call it synchronicity. The art becomes a collaboration with a greater force outside yourself, some mysterious element, and that really gets my curiousity going especially when the results are something that delight and surprise me. I always try and build in space for happy accidents to occur in my work and there is a lot more scope when something is a hands-on process. It’s the handmade element that drew me to screenprinting. As much as I love photographic prints, so much of photography is done sitting at a computer, the final product digitally printed without the sense that a human hand has touched the print. It was great to transform my images from a digital form to something handmade with paint.

Not everything I made that I liked was a result of an accident. I created the below image showing chiming tibetan bells using a single gold colour on white paper. The gold comes in a luscious powder form and it is mixed into a transparent ink. It looks like molten… well, gold before it is spread through the screen and onto the print where it appears quite irridescent (difficult to capture in a photograph).

The tibetan bells, also called Tingshas, are used at the beginning of Buddhist meditation to focus the mind for practice and then afterwards to bring the mind back to reality.  They produce a clear sound often thought to have a cleansing and relaxing effect (I have found this to be true). The subtle nature of the gold ink on the white paper echoes this peacefulness.

Detail, photo slightly darker to show the iridescence.

 

 

 

 

Welcome

Welcome to my new website where I publish my personal work and blog about art and the creative life.  For the art collectors, I’ll soon be making new and older works available through an online store and I’ll be sharing images from my life in Berlin.

To bring everything up to date since we last spoke: I’m living in Berlin working full time as an artist and professional photographer.  I received an ArtStart grant from the Australia Arts Council which I am putting to good use for arts career development.  I’m learning German, screenprinting, how to build websites like this one and improving my ability to do handstands (still terrible btw).  Otherwise, I’m just working to create the life I want – a life of creativity, connection, adventure and purpose.

I hope you’ll join me in what will be an interesting and exciting journey and I look forward to sharing it with you.